The prefigurative politics of translation in place-based movements of protest

Subtitling in the Egyptian Revolution DOI: 10.1080/13556509.2016.1148438 (link to prepublication version at end of post) Mona Baker, The Translator, Volume 22, Number 1, 2016, pages 1-21 Abstract The idea of prefiguration is widely assumed to derive from anarchist discourse; it involves experimenting with currently available means in such a way that they come to mirror or actualise the political ideals that

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Beyond the Spectacle: Translation and Solidarity in Contemporary Protest Movements

Mona Baker This chapter maps out the space of translation within the political economy of contemporary protest movements, using the Egyptian Revolution as a case in point and extending the definition of translation to cover a range of modalities and types of interaction. It identifies themes and questions that arise out of the concrete experiences of activists mobilizing and reflecting

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Reading Letters from the Past

Translating for Historical Research in Sephardi and Mizrahi Studies by Katharine Halls1 Sephardic Horizons, Volume 6, Number 1, 2016 One of the most exciting developments to come out of the surge of academic interest in Sephardi and Mizrahi Jewry is the recent appearance of two sourcebooks which present documentary material relating to the modern history of these communities in translation. The

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Being foreign is different, by Jonathan Ree

Times Literary Supplement 06/09/1996 Can we find equivalents for philosophical terms? If philosophy really is (as its enemies keep saying) just another branch of European literature, still it is a pretty remarkable one. It is cosmopolitan like no other. Even the most rudimentary philosophical library will contain works written in Greek, Latin, French, English and German; and even the most

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Rethinking the Art of Subtitles

  By Grant Rosenberg/Paris, Time, May 15, 2007 Early on in the 2004 supernatural Russian thriller Night Watch, the protagonist, trying to prevent a witch from casting a spell on his unborn child, yells at the top of his lungs in protest. For English-speaking audiences, the subtitles do more than just translate the literal meaning: the words “no” and “stop” with three exclamation

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Bringing U.S. Presidential Debates to a Chinese Audience

Sinosphere By OWEN GUO, JAN. 3, 2016, The New York Times BEIJING — From his graduate student dormitory in the southern city of Guangzhou, Yin Hao works late into the night with an online network of about half a dozen other volunteer translators. Their task: to post the American presidential debates, with Chinese subtitles. “Watching the U.S. presidential debates is like watching a

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Translating social sciences into Arabic today. The case of Pierre Bourdieu

  DOI: 10.1080/13556509.2015.1069042 Richard Jacquemond Published online: 14 Aug 2015 Abstract Through the example of the Arabic translations of Pierre Bourdieu, this article analyses the conditions of the introduction and reception of a sociological thought of French origin in the contemporary Arab intellectual field and, more generally, those of the international circulation of ideas in a postcolonial context. The diachronic analysis

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Fiction and Colonial Identities: Arsène Lupin in Arabic

Middle Eastern Literatures Volume 13, Issue 2, 2010, pages 191-210 Special Issue:   Arabic Literature in Egypt at the Beginning of the 20th Century in Search of New Aesthetics: Al-Muwaylihi and Contemporaries DOI:  10.1080/1475262X.2010.487317 Samah Selim Along with Ponson du Terrail’s Rocambole and Arthur Conan Doyle’s Sherlock Holmes, Maurice Leblanc’s Arsène Lupin is one of the most famous popular fiction figures in the

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11 Rules and 3 Award-winning Translations from Samah Selim

BY MLYNXQUALEY on MARCH 8, 2012 • ( 2 ) The “10 rules” series resumes with award-winning translator Dr. Samah Selim. Eleven Rules 1. Think about register. Every essay, novel or story projects a particular and unique language register. A really important part of translating fiction is capturing and rendering that register in English. It’s easy to fall into the trap of overly stiff or archaic prose on

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Who do stories belong to?

Samah Selim re-maps the journey of the early Arab novel Friday, March 6, 2015 By Laura Gribbon, Jadaliyya Do stories need authors? Are texts fixed? Is adaptation a form of translation? These are some of the questions Professor Samah Selim has been considering in her study of Egyptian periodical Musamarat al-Shaab (The People’s Entertainment), and she raised them during a talk at the

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