Oppression is not a point of view
Faber | 13 April 2016 Faber signs a remarkable debut The City Always Wins amidst major rights excitement at the London Book Fair Faber is delighted to announce an extraordinary and important first novel by Omar Robert Hamilton. David Godwin sold Lee Brackstone World Rights excluding US. The novel is scheduled for publication in Spring 2017. The City Always Wins is a remarkable novel from the psychological
» Read moreIn 2016 Bahia Shehab started an international street campaign celebrating the work of Palestinian poet Mahmoud Darwish. The first intervention was in Vancouver-Canada. In February she sprayed the stanza “Stand at the corner of a dream and fight” in downtown Vancouver. Street expression is no longer tolerated in Cairo. Shehab finds that the work of Darwish is more relevant
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John Johnston This chapter explores the potential of street art as a means of gaining voice and political capital, and the connections between Egyptian and other traditions of street art. Constructing an argument for artists to see their role as that of public educator, it highlights a major concern for street art in contested spaces, namely, the danger of falling
» Read moreWritten by Tom Morgan Published on 25 Jan 2016, Goldsmiths University of London Website Street art can be used to help establish a public space for teaching and learning, according to a Goldsmiths academic John Johnston, Head of the MA Artist Teachers and Contemporary Practices in the Department of Educational Studies, has contributed a chapter to the award-winning book Translating Dissent: Voices from and
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Subtitling in the Egyptian Revolution DOI: 10.1080/13556509.2016.1148438 (link to prepublication version at end of post) Mona Baker, The Translator, Volume 22, Number 1, 2016, pages 1-21 Abstract The idea of prefiguration is widely assumed to derive from anarchist discourse; it involves experimenting with currently available means in such a way that they come to mirror or actualise the political ideals that
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Mona Baker This chapter maps out the space of translation within the political economy of contemporary protest movements, using the Egyptian Revolution as a case in point and extending the definition of translation to cover a range of modalities and types of interaction. It identifies themes and questions that arise out of the concrete experiences of activists mobilizing and reflecting
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Seminar by Mona Baker Hong Kong Baptist University, 29 May 2014 Translation is one of the core practices through which any cultural group constructs representations of another and contests representations of the self. Part of its power stems from the fact that as a genre, it tends to be understood as “merely” reporting on something that is already available in
» Read moreBy Omar Robert Hamilton Jadaliyya, 16 February 2016 Multiple fractures, cigarette burns, abrasions, fingernails forcibly removed and every finger bro-ken, dozens of lacerations all over the body, on the soles of feet and ears all ending in a broken neck and suffocation. Giulio’s body was found semi-naked by the side of the road. The marks of Egypt’s security services
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From the www.monabaker.com archive (legacy material) Document prepared by Mona Baker The academic boycott is part of a comprehensive civil society programme of boycott and divestment aimed at exerting international pressure on Israel . Some colleagues who support an economic boycott of Israel find the idea of an academic boycott unacceptable, for various reasons. Some of these reasons are addressed
» Read moreFrom the www.monabaker.com archive (legacy material) Translation is a matter of intercultural communication, yes. But, as has been widely demonstrated in recent years, it also involves questions of power relations, and of forms of domination. It cannot therefore avoid political issues, or questions about its own links to current forms of power. Robert Young, Postcolonial Theorist, University of Oxford Since
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