Oppression is not a point of view
Published on Mar 22, 2013 Egypt’s January 25 revolution helped bring out the best in raw and potent urban arts, most of all in the graffiti scene in Cairo. This short video gives a brief glimpse into the always evolving street art scene that has gone from strength to strength and become a valuable component in the creative resistance
» Read moreAfricaseen blog, 2nd April 2013 by Susan Phillips While Soraya Morayef identifies herself as a writer and journalist, I see her through a different lens, as an artist and archivist. Through her photo blog documenting the extraordinary explosion of street art in Egypt following the initial Tahrir Square protests of January 2011, Morayef has captured, framed, and contextualized a fleeting moment in Egypt’s
» Read more28 March 2013, africaisacountry.com Mickey Mouse is pulling apart a bomb: inside is the torso of George W. Bush, and they’re both looking perfectly happy about the whole thing. Soraya Morayef is taking a photo of the wall where these figures are painted, on a busy street in downtown Cairo, when a man walks up to her and asks her
» Read moreBy Soraya Morayef Open Democracy, 25 March 2014 The author reviews the only documentary released to-date of the people’s uprising in Egypt until the fall of Mohamed Morsi on 3 July 2013. There is no such thing as a comprehensive narrative of the Egyptian revolution. Anyone attempting such a thing will most likely fail, as the complex evolution of a
» Read moreBy Soraya Morayef Open Democracy, 13 November 2013 Many disregard the recurrent stories of prison deaths, police torture and rape because – on the other hand – Egypt’s streets are empty after curfew and the walls are freshly painted; surely a clear indication that the state has succeeded in restoring security and defeating terrorism. On Tuesday November 5, Egypt’s Minister
» Read moreBy Soraya Morayef Jadaliyya, 22 May 2012 Around the corner from Tahrir Square, the heart of Egypt’s eighteen-day uprising, Mohamed Mahmud Street bears the scars of a turbulent political year in Egypt. The once-bustling street off of Tahrir Square has seen its share of violent battlefields–beginning with 28 January 2011 and ending with the February 2012 clashes following the Port
» Read moreBy Soraya Morayef Jadaliyya, 29 May 2012 In the heated den of the Greek Club on Emad el-Din Street in downtown Cairo, sweating bodies heave and move to the infectious reggaeton fused with a tabla beat, as Amr Haha, DJ Figo, and Sadat swing their mics back and forth, bantering, ad-libbing, and cheering. One takes a swig out of his
» Read moreBy Soraya Morayef 15 July 2012 Over the past sixteen months, much has been written about Egypt’s leaderless revolution, with many blaming its seeming sluggishness on the absence of a single figure to unite and represent the now fragmented revolutionary forces. To me, and perhaps others, Essam Sharaf was—however briefly—a potential candidate for this task. On 4 March 2011, right
» Read moreBy Soraya Morayef Jadaliyya, 8 July 2014 [Last month, the Syrian novelist Khaled Khalifa visited London to promote ‘Syria Speaks’, an anthology of short stories, poems, articles and visual art collected as a response to the Syrian regime’s crackdown on dissident voices since the 2011 Syrian uprising. As one of the most powerful and prominent writers in Syria, Khalifa continues
» Read moreSpecial Issue of The Translator, November 2017 Guest Editors: Rita Queiroz de Barros University of Lisbon and University of Lisbon Centre for English Studies Karen Bennett New University of Lisbon and University of Lisbon Centre for English Studies Deadlines: 30 November 2015 (abstract) 30 September 2016 (article) The rise of English as an international world language has had a dramatic effect on
» Read more